Helmed by Portishead co-founder the musician-producer, this scabrous if undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are too thin to adequately prepare us for what to expect when the Woodsman arrives, fuming after David strangles his dog. Still, a darkly funny duel unfolds – David eager to get away; the Woodsman denying his container of scrumpy, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single important plot development, but it leads to a hilariously staged chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in British and Irish cinemas from November 17.
